Sunday is Monkey Covers day here at YACB. Because there's nothing better than a comic with a monkey on the cover.
Today's cover is Forbidden Worlds #132, from November 1965. The cover by Kurt Schaffenberger (as Pete Costanza) features Magicman going into battle against The Ancient Ape, who apparently has a penchant for armored car robberies.
(standard disclaimer about apes not really being monkeys applies)
Image courtesy of the GCD. Click on the image for a larger version.
Sunday, 7 August 2005
Friday, 5 August 2005
Yet Another Music Blog
Announcing a new addition to the Yet Another Blog Family: Yet Another Music Blog.
Just as YACB focuses on comics, YAMB will focus on music. My tastes in music are nearly as eclectic as my tastes in comics, so it should make for interesting blogging. There's not much there yet--just a welcome announcement--but look for content to grow in the days ahead.
There's also a new companion online radio station: Yet Another Music Radio.
Don't worry, I'll continue to blog about comics right here on YACB--Monkey Covers and all!
The new blog is just the start of the celebration of our one year Blogiversary. Stay tuned over the next couple of weeks for more exciting happenings, including our big giveaway event that will be announced next weekend and run through the week of August 15th. Stay tuned!
Just as YACB focuses on comics, YAMB will focus on music. My tastes in music are nearly as eclectic as my tastes in comics, so it should make for interesting blogging. There's not much there yet--just a welcome announcement--but look for content to grow in the days ahead.
There's also a new companion online radio station: Yet Another Music Radio.
Don't worry, I'll continue to blog about comics right here on YACB--Monkey Covers and all!
The new blog is just the start of the celebration of our one year Blogiversary. Stay tuned over the next couple of weeks for more exciting happenings, including our big giveaway event that will be announced next weekend and run through the week of August 15th. Stay tuned!
Thursday, 4 August 2005
Quick GN Reviews

by Ed Brubaker & Sean Phillips
Reprinting the first half of the second 'season,' this collection finds the title character Holden Carver caught between the machinations of his boss, the international criminal TAO, and his former boss, the newly revived John Lynch. Realizing that he's but a pawn in whatever twisted machinations these two are pulling, Holden is looking to make sense of his place in this grey world, and somehow to find his way out. Brubaker has specialized of late in writing about the gritty side of super-powered worlds, and Sleeper ranks up there with Gotham Central in playing to his strengths as a writer. Phillips is the perfect artist for this type of book. His inky, hard-edged realism fits the main thrust of the story to a tee, but when a banana-headed alien needs to make an appearance, he can handle that just as well. Book four is due out in September, and I'm looking forward to reading the endgame of this highly entertaining series.
Rating: 4 (of 5)

by Greg Rucka & Klaus Janson
Let's talk about the art first, because according to the front- and endnotes that's where the genesis of this comic lies: in the desire of Klaus Janson to do a Batman story. Janson is best known as an inker, particularly for his work over Frank Miller on Daredevil and The Dark Knight Returns. But he's also an accomplished penciller, as his work here illustrates. The layouts are exciting and dynamic, without being overly flashy. This is a good looking Batman comic--helped by the effective colors of Steve Buccellato--and that alone would probably be enough to recommend it. But in addition, Janson's writer of choice, Greg Rucka, turns in a fine story as well. The notes also make clear that the genesis of the story wasn't easy--this book went through several format changes, from a hardcover OGN to a four-issue prestige series to its final configuration as a nine-part mini-series--but the end result is a well-told self-contained Batman story that also manages to fit into the larger Batman myth. Rucka takes the opportunity to push forward the long-stagnating saga of Ra's al Ghul, introducing a previously unknown immortal daughter of Ra's and putting Batman in the crossfire of their ongoing conflict. Rucka also allows batman to explore his own psychology, examining why exactly after all these years Bruce Wayne sees it as his mission to be a vigilante instead of having undertaken a more productive role in mainstream society. For fans of Ra's al Ghul this is a must-read addition to the saga; for everyone else it will serve as a good looking, well-written chunk of Batman comics.
Rating: 3.5 (of 5)
Wednesday, 3 August 2005
Like Printing Money

Tuesday, 2 August 2005
New This Week: August 3, 2005

The Pick of the Week is Top Ten: The Forty-Niners from DC/WildStorm/ABC. Yes, it's an expensive hardcover OGN, but it's Alan Moore telling the history of the Top Ten universe, and with art by Gene Ha you just know that's it's going to look fabulous in this upscale production.
In other comics:
Abstract have the seventy-fifth issue of Strangers in Paradise.
Active Images have the new Hip Flask: Mystery City one-shot.
Alias debut the second volume of the fun Opposite Forces, at just 75 cents.
Dark Horse have the second issue of Serenity (I'll be getting the Jo Chen cover.)
DC bring on the Alan Moore love, as in addition to the Top Ten OGN they also have a collection of The Ballad of Halo Jones, with art by Ian Gibson. Other trades include a collection of The Sandman Presents: Thessaly, Witch for Hire and DC's Greatest Imaginary Stories. New comics include the debut of Alex Ross's Super Friends-inspired Justice, as well as new issues of The Return of Donna Troy (#3), Gotham Central (#34), The Intimates (#10), JSA (#76), Swamp Thing (#18), and Y, the Last Man (#36).
Digital Manga have the debuts of Antique Bakery for the yaoi fans, and Bambi & Her Pink Gun for the cute-punk/goth-chicks-with-firearms fans.
IDW have the third Legend of Grimjack collection.
Kenzer & Co. have the latest issue of Knights of the Dinner Table (#105).
Marvel have the debut of the Gaiman-less Marvel 1602: New World, plus a new issue of Ultimate Spider-Man (#81).
And that's it. Not a great number of items, but there's several expensive trades and GNs, so you should have no trouble spending your money this week!
New Library Comics: Week of July 25, 2005

Kobayashi, Makoto, 1958- What's Michael? /Milwaukie, Ore. : Dark Horse Comics, 1997-1998. v. 6-9
Millionaire, Tony. Sock Monkey /Milwaukie, OR : Dark Horse Comics, c1998- v. 3/4
Miyazaki, Hayao, 1941- Nausicaä of the Valley of Wind /San Francisco, CA : VIZ, LLC, c2004- v. 7
Monday, 1 August 2005
Best of July
In this post I'm reprinting reviews of items for which I gave a rating of 4 or better in the month of July:
The Surrogates #1
by Robert Venditti & Brett Weldele
Top Shelf are mostly known for publishing indy comic anthologies and B&W OGNs, so what are they doing publishing a scifi noir as a glossy color limited series? I don't know, but since the results are so good, I don't really care about the reasons. Fifty years in the future, a couple on their way home from a bar are attacked and electrocuted in an alley. But it turns out that these aren't people who have died, but rather their surrogates. In this future world, 'surrogates' are artificial bodies employed by people to interact with the real world while they sit around all day in their crummy little apartments. Yeah yeah, it's a metaphor, but it serves to put a twist on the murder mystery. I don't recall ever encountering work by either of the creators before, but what I see here impresses me. The art by Weldele is a simple pen-and ink style that echoes somewhat Bill Sienkiewicz or Ben Templesmith, colored in a moody Vertigoesque palatte. Author/creator Venditti & Weldele create a world and give us the parameters of its functioning within the confines of the story; they never stop to explain something but rather let the explainations come about naturally and as needed. (Although a text piece posing as a faux-academic article at the end fills in some of the background, it is not necessary reading for the story.) All in all this is a promising start to the series; I just wish it was being published more frequently than quarterly.
Rating: 4 (of 5)
Gotham Central #33
by Greg Rucka, Ed Brubaker, Kano & Stefano Gaudiano
A kid in a Robin costume shows up dead in an alley, apparently haven fallen from the rooftops above. We know it's not the 'real' Robin, and to their credit most of the GCPD think that it probably isn't either, but they have to go through the motions anyway, treating this as a redball case and working around the unwanted participation/interference of a certain caped vigilante. This is Brubaker's swansong before he goes off to waste his talents in an exclusive at Marvel, and he and Rucka have chosen a doosy of a premise to run with. They make lemonade out of lemons, using the stupid post-War Games status quo between Batman and the police to come up with a plot that could only work if they're not talking to each other. This is also the debut of the 'new' art team as Kano & Gaudiano switch duties; it works well: Kano provides clean layouts, good figurework and strong storytelling while Gaudiano's inks give it all a gritty edge. This continues to be one of the best comics published monthly by DC.
Rating: 4 (of 5)
Sweaterweather
by Sara Varon
Sweaterweather is a collection of mostly wordless short stories about a bunch of little anthropomorphic animals (and a snowman) going about life in the city. Most of the stories take place during the cold months of late autumn to early spring, hence the title. It may not sound exciting, but the stories have a certain sweetness and Varon is an excellent storyteller. It many ways this comic reminds me of Andy Runton's Owly, although the stories in Sweaterweather have a bit more of an edge. Most of the book is in black and white (well, actually black and navy blue) but in the back there's a color section with cleaver paper dolls, stamps and postcards. This is a fun book that can be enjoyed by comic readers of all ages.
Rating: 4 (of 5)
Freaks of the Heartland
by Steve Niles and Greg Ruth
Several years ago in the small farming community of Gristlewood Valley, several gave birth to severly deformed--some would say unnatural--children. Some were killed, while others were locked away, living all of the existance in cellars or barns. Young Trevor knows that his younger brother Will is different, but he also knows that Will has a good heart and its not fair for Will to be locked away, never able to play in the sun. But this secret is eating away at the people of the valley, and when events build towards a violent head Trevor decides to break Will out and they make a run to escape the valley. Although there are monsters in the story (and not all of them are the deformed children) this isn't exactly a horror story; it falls into a traditio nof stories that I've always refered to as 'American Gothic'--tales of secrets and evil and things not quite right in small towns and rural communities. There is violence in Freaks of the Heartland, but it mostly occurs just off panel. Niles isn't going for shocks here, but rather trying to disturb. What really makes this work is the art of Ruth; detailed pen and ink drawings combine with the earthy computer color pallate to create an environment that evokes the warm heartland in which this disturbing tale is set. If you like your horror stories to be about events and characters and mood rather than blood and guts, you'll find Freaks of the Heartland quite to your liking.
Rating: 4 (of 5)
Banana Sunday #1
by Root Nibot & Colleen Coover
Kirby Steinberg is the new girl at Forest Edge High School, but she's not just any new girl. Kirby comes with three talking monkeys in tow: Chuck, the super-intelligent orangutan ego; Go-Go, the always hungry gorilla id; and Knobby, the sensitive babe-magnet monkey superego. Kirby claims that her three talking monkey companions are the results of her scientist father's experiments with accellerated leaning abilities, but Nickels, Kirby's new best friend and reporter for the school paper, suspects that may not be the whole truth. Add in Martin, the cute boy photographer who comes to Kirby's aid when her clutziness gets the better of her, and you have the makings of a fun series. There's a general atmosphere of fun and the humor is often gentle and subtle, except for Go-Go whose antics at times are downright laugh-out-loud funny. The big attraction for this book of course is the wonderful art from Colleen Coover, stepping out from the erotic-comix ghetto to prove that she can do high school situational and physical comedy for an all-ages audience. It's all there: figures, backgrounds, storytelling, and a sureness of line; Coover makes it look easy, and gets to draw plenty of cute girls and talking monkeys. I'm sure you'll be tempted to wait for the trade, but there's plenty enough story and fun here to justify spending $3 on each individual issue; then you can get the inevitable trade when it comes out and share it with all your friends.
Rating: 4 (of 5)
Desolation Jones #2
by Warren Ellis & J. H. Williams III
While the first issue led us to believe that this was yet another take on the usualy Ellis archetypal main character, this second issue explores Jones further and proves him to have greater depth than we might have previously realized. Namely, this protagonist has something that other Ellis types do not: empathy. He also has a sense of compassion, all expertly realized in the extended scene between Joens & Emily Crowe, the woman whose body has been modified to produce fear and revulsion in every person (except for Jones). It's downright touching, something I wasn't expecting. If Ellis can keep playing against expectations, combined with the superb art by Williams (which I could go on about, but I don't have to since Jog does such a good job of praising the art on his blog) we might have another winner on our hands.
Rating: 4 (of 5)

by Robert Venditti & Brett Weldele
Top Shelf are mostly known for publishing indy comic anthologies and B&W OGNs, so what are they doing publishing a scifi noir as a glossy color limited series? I don't know, but since the results are so good, I don't really care about the reasons. Fifty years in the future, a couple on their way home from a bar are attacked and electrocuted in an alley. But it turns out that these aren't people who have died, but rather their surrogates. In this future world, 'surrogates' are artificial bodies employed by people to interact with the real world while they sit around all day in their crummy little apartments. Yeah yeah, it's a metaphor, but it serves to put a twist on the murder mystery. I don't recall ever encountering work by either of the creators before, but what I see here impresses me. The art by Weldele is a simple pen-and ink style that echoes somewhat Bill Sienkiewicz or Ben Templesmith, colored in a moody Vertigoesque palatte. Author/creator Venditti & Weldele create a world and give us the parameters of its functioning within the confines of the story; they never stop to explain something but rather let the explainations come about naturally and as needed. (Although a text piece posing as a faux-academic article at the end fills in some of the background, it is not necessary reading for the story.) All in all this is a promising start to the series; I just wish it was being published more frequently than quarterly.
Rating: 4 (of 5)

by Greg Rucka, Ed Brubaker, Kano & Stefano Gaudiano
A kid in a Robin costume shows up dead in an alley, apparently haven fallen from the rooftops above. We know it's not the 'real' Robin, and to their credit most of the GCPD think that it probably isn't either, but they have to go through the motions anyway, treating this as a redball case and working around the unwanted participation/interference of a certain caped vigilante. This is Brubaker's swansong before he goes off to waste his talents in an exclusive at Marvel, and he and Rucka have chosen a doosy of a premise to run with. They make lemonade out of lemons, using the stupid post-War Games status quo between Batman and the police to come up with a plot that could only work if they're not talking to each other. This is also the debut of the 'new' art team as Kano & Gaudiano switch duties; it works well: Kano provides clean layouts, good figurework and strong storytelling while Gaudiano's inks give it all a gritty edge. This continues to be one of the best comics published monthly by DC.
Rating: 4 (of 5)

by Sara Varon
Sweaterweather is a collection of mostly wordless short stories about a bunch of little anthropomorphic animals (and a snowman) going about life in the city. Most of the stories take place during the cold months of late autumn to early spring, hence the title. It may not sound exciting, but the stories have a certain sweetness and Varon is an excellent storyteller. It many ways this comic reminds me of Andy Runton's Owly, although the stories in Sweaterweather have a bit more of an edge. Most of the book is in black and white (well, actually black and navy blue) but in the back there's a color section with cleaver paper dolls, stamps and postcards. This is a fun book that can be enjoyed by comic readers of all ages.
Rating: 4 (of 5)

by Steve Niles and Greg Ruth
Several years ago in the small farming community of Gristlewood Valley, several gave birth to severly deformed--some would say unnatural--children. Some were killed, while others were locked away, living all of the existance in cellars or barns. Young Trevor knows that his younger brother Will is different, but he also knows that Will has a good heart and its not fair for Will to be locked away, never able to play in the sun. But this secret is eating away at the people of the valley, and when events build towards a violent head Trevor decides to break Will out and they make a run to escape the valley. Although there are monsters in the story (and not all of them are the deformed children) this isn't exactly a horror story; it falls into a traditio nof stories that I've always refered to as 'American Gothic'--tales of secrets and evil and things not quite right in small towns and rural communities. There is violence in Freaks of the Heartland, but it mostly occurs just off panel. Niles isn't going for shocks here, but rather trying to disturb. What really makes this work is the art of Ruth; detailed pen and ink drawings combine with the earthy computer color pallate to create an environment that evokes the warm heartland in which this disturbing tale is set. If you like your horror stories to be about events and characters and mood rather than blood and guts, you'll find Freaks of the Heartland quite to your liking.
Rating: 4 (of 5)

by Root Nibot & Colleen Coover
Kirby Steinberg is the new girl at Forest Edge High School, but she's not just any new girl. Kirby comes with three talking monkeys in tow: Chuck, the super-intelligent orangutan ego; Go-Go, the always hungry gorilla id; and Knobby, the sensitive babe-magnet monkey superego. Kirby claims that her three talking monkey companions are the results of her scientist father's experiments with accellerated leaning abilities, but Nickels, Kirby's new best friend and reporter for the school paper, suspects that may not be the whole truth. Add in Martin, the cute boy photographer who comes to Kirby's aid when her clutziness gets the better of her, and you have the makings of a fun series. There's a general atmosphere of fun and the humor is often gentle and subtle, except for Go-Go whose antics at times are downright laugh-out-loud funny. The big attraction for this book of course is the wonderful art from Colleen Coover, stepping out from the erotic-comix ghetto to prove that she can do high school situational and physical comedy for an all-ages audience. It's all there: figures, backgrounds, storytelling, and a sureness of line; Coover makes it look easy, and gets to draw plenty of cute girls and talking monkeys. I'm sure you'll be tempted to wait for the trade, but there's plenty enough story and fun here to justify spending $3 on each individual issue; then you can get the inevitable trade when it comes out and share it with all your friends.
Rating: 4 (of 5)

by Warren Ellis & J. H. Williams III
While the first issue led us to believe that this was yet another take on the usualy Ellis archetypal main character, this second issue explores Jones further and proves him to have greater depth than we might have previously realized. Namely, this protagonist has something that other Ellis types do not: empathy. He also has a sense of compassion, all expertly realized in the extended scene between Joens & Emily Crowe, the woman whose body has been modified to produce fear and revulsion in every person (except for Jones). It's downright touching, something I wasn't expecting. If Ellis can keep playing against expectations, combined with the superb art by Williams (which I could go on about, but I don't have to since Jog does such a good job of praising the art on his blog) we might have another winner on our hands.
Rating: 4 (of 5)
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