Sunday, 3 February 2008

My Crazy Half-Nekked Wife




I am married to an unusual woman. She has strong beliefs and battles injustice as fearlessly as any comic book hero. She glows with the charisma of a drunken aurora borealis. She grabs life by the horns and honks loudly. She is married to a man who boldly mixes metaphors.

Last week, she was honking that horn on Wall Street, in front of the entrance to The New York Stock Exchange. Stocks were volatile and brokers were dropping like flies, so PETA came up with a quick slogan about protecting your ticker by becoming vegetarian. (Vegetarians, and especially vegans, have a fraction of the risk of heart disease than do consumers of animal-products.) The idea was to get someone to do something newsworthy out front of the Stock Exchange and pass out vegetarian starter kit pamphlets. Something to attract attention of both passers-by and the press. My wife readily agreed and now I have a funny picture of her in a lettuce-clad bikini parading up and down Wall Street in 30-degree weather.

Yes, 30 degrees, as in "below freezing and windy." My crazy half-nekked wife did this for an hour on two subsequent days, passed out hundreds of brochures, took dozens of pictures, and became the imaginary girlfriend of who-knows-how-many armed guards and financial drones.

Sometimes these demonstrations are met with resistance from New York police officers. They admonish the participants to keep moving, stop blocking the sidewalk, move their box of literature, etc. But not in this case.

Since 9/11, the streets in front of the stock exchange have been blocked off and posted with armed officers in complete riot gear: helmets, flak jackets, machine guns, shields, tear gas, catapults, jousting lances, breath-right strips. These guys are ready for the worst but bored as hell. In a neighborhood full of stock brokers, bankers, and tourists taking pictures of stock brokers and bankers, nothing much ever happens. So an hour-long visit by a crazy half-nekked woman in a salad suit is a welcome distraction.

A month earlier she did a similar thing out front of the Mars Candy Company headquarters in Manhattan. Apparently, the Mars Company performs cruel tests on animals to find out what would happen if you shoved too many M&Ms into your eye or something. So a handful of volunteers made themselves up like M&Ms of different colors and held protest signs. That event scored a story and a picture on the cover of New York Metro. Crazy Half-Nekked Wife is the one looking at the camera in the shot below.

Like many people, I used to think this kind of stunt by PETA was stupid and made animal rights people look foolish. But the theory behind it is that you can't get the word out if media won't cover you and you can't get the media interested unless you do something outlandish. PETA does something crazy, the media shows up, they write a story which contains info about animal cruelty, and everyone goes home. The success of this strategy is undeniable as PETA has changed more laws and attitudes than any other animal protection group. In the end, people scoff at PETA but learn about animal abuse and what they can do to change it. I have to admire their self-sacrificing commitment to a higher cause.

I also have to admire my crazy half-nekked wife's resolve to freeze her cabbage off to open a mind or two. At the very least, she got a few cops thinking about the salad bar.

Wednesday, 30 January 2008

Romanian Manga

Cory Doctorow has a story in Forbes about how manga has invaded Romania, and how it has morphed into two distinct cultures: those who insist on absolute fidelity to the source, and those who are appropriating and remixing it into something resembling the old American underground scene.

(BTW, those adaptations of Doctorow's short stories that IDW is publishing? Rather good, I think.)

Tuesday, 29 January 2008

Tara Tallan and Galaxion

this is what happens when you let engineers run looseSequential Tart's Donielle Ficca interviews cartoonist Tara Tallan, whose sci-fi comic Galaxion is on its third iteration, now as a Webcomic on Girlamatic.
The best thing [about working on a web comic] is having no costs other than my art supplies – and instant world-wide distribution, for them that wants it. Self-publishing in the 90's was more or less a zero-sum game for me. I didn't lose money, but I can't say I made a lot of money either. On the web, I can still tell my story and still reach lots of readers (though there will always be those that for one reason or anther simply don't want to read comics on their computer), but without the money issues! Also, by the time I'm ready to collect all this stuff into a graphic novel, I'll have done half the work by already having established a fan base. Not all web readers will buy, of course, but it's a decent head start over trying to sell something sight unseen.
I was a fan back in the day, and was disappointed when the regular comic version disappeared. I'm looking forward to when Tallan gets enough of the new version completed to release a paper-based collection. (I just don't like to follow long-form works online.)

(This is the sort of 'other avenue' that I was referring to previously.)

(link via Dirk)

Colleen Coover (Again)


Writing for The Oregonian, Steve Duin reminds us that there are other women working in comics besides than Gail Simone; in this case YACB fave Colleen Coover. It's a rather nice profile of her career so far.

In regards to our previous post about women creators at the big four, I am reminded that, while Coover has been doing semi-frequent back-ups for X-Men: First Class, they are rarely if ever mentioned in the solicits. On the one hand that makes it always a nice surprise when her work shows up; on the other, maybe it would behoove Marvel to mention her participation as a selling point?

Friday, 25 January 2008

Virtual tour of Periscope Studio... In German!

A short photo tour of Periscope Studio, by a visiting German cartoonist: Fotos aus dem Studio

Women Creators at Marvel & DC (and Image & Dark Horse)

David Welsh's recent post about tips for media writers when writing about female comic creators got me to thinking: just how many women are writing or drawing comics at the major pop comics publishers?

Let's go counting through the April solicits!

(Note: I'm not counting manga or OGNs.)

Marvel:

Writers: 2: Robin Furth on Dark Tower & Lords of Avalon; Jessica Ruffner on Anita Blake.

Artists: 1: Adriana Melo on Ms. Marvel.


DC:

Writers: 2: Amy Wolfram on Teen Titans Year One; Gail Simone on Wonder Woman & Welcome to Tranquility

Artists: 2: Nicola Scott on Birds of Prey; Sandra Hope on World of Warcraft


Image:

Writers: none

Artists: 1: Laura Allred on Madman Atomic Comics


Dark Horse:

Writers: none

Artists: 1: Jan Duursema on Star Wars: Legacy



So as far as creator gender representation in mainstream comics goes, things are no better than they were ten, twenty or thirty years ago--the days of Louise Simonson, Jo Duffy, Ann Nocenti, June Brigman, Marie Severin, Ramona Fradon, etc.

One might think that, with more titles being pushed out these days, there would be opportunities for more creators, and that some of those slots would be filled by women creators.

It's hard to address the why of the gender imbalance without speaking in supposition and generalities. I think that there are a combination of factors at work, some of which boil down to a lack of desire on the part of female creators to work on corporate super-hero comics when there are plenty of other avenues available for their creative expression.

(1/28: Edited, 'cause I totally spaced and left off Jan Duursema.)

Wednesday, 23 January 2008

National Pie Tragedy


As most of you know, January 23rd – today, unless my medication needs adjusting – is National Pie Day. Since I include a piece of pie in almost all of my cartoons and have done so for years, one would naturally assume that I would be a fundamental part of this great celebration. But I have been snubbed.

All across the land people are rejoicing, families are gathering and giving thanks, congregations are praying, school children are singing about pie. But not one word is being uttered about Bizarro, which celebrates pie not just on a single day in January, but all year long. I wasn't asked to ride in a parade atop a pie made of geraniums, I wasn't interviewed by USA Today, I wasn't a guest on Larry King Live. I wasn't even called by some corny morning DJ to talk live on the air about what this day means to me. Instead, my wife and I will celebrate quietly in our tiny Brooklyn apartment with our two cats and a half-dozen (vegan) pies.

I blame capitalism. Greedy retailers have taken all the meaning out of National Pie Day and turned it into a money-grubbing orgy of merchandise and services. What once was a meaningful celebration of a time-honored staple in every person's life, has become another way to line our pockets with soul-draining cash and fill our homes with useless baubles and electronic gizmos to distract us from the real meaning of pie.

Let us not forget on this special day, that pie is not about cash and gifts and merchandise. It's about flaky crust. It's about juicy fruits and syrupy goodness, shared with family and friends. It's about the bounty of Mother Nature's Bosom, flowing forth with fruits and vegetables and grains, captured at their paramount in a round, portable disk of life-giving flavor.

Without pie, we would be nothing more than a nation of cartilage-gnawing barbarians.

http://www.piecouncil.org/national.htm