(Back in June when the new DCU titles were announced, I ranked all 52 titles on my likelihood of buying them. Only fair then to look back and see if my initial assessments hold up. My plan is to review each of the new titles as they come out.)
Demon Knights #1
by Paul Cornell, Diogenes Neves & Oclair Albert
Original Rank/Assessment: 19 (Yes, with Reservations) - Again, not sure about the premise, but Paul Cornell hasn't let me down yet.
Set in medieval time, in the Dark Ages following the fall of Camelot, this is DC's medieval Justice League, featuring The Demon, Madame Xanadu, The Shining Knight, Vandal Savage, and others. This issue is the start of their origin, with the principles meeting in a bar brawl, which is such a cliché that it is humorous and an indication that thankfully this comic won't be taking itself too seriously. If I'm disappointed at all it is that Mme. Xanadu's character is not the same as in her recent Vertigo series, but this new version does have a level of snark that may grow on me. The art is clear and clean and it is surprisingly colorful. Not yet a must-read, but it is a good solid comic with the potential to be a lot of fun.
Rating: 3 (of 5).
Frankenstein, Agent of S.H.A.D.E. #1
by Jeff Lemire & Alberto Ponticelli
Original Rank/Assessment: 4 (Definitely Yes) - This looks to possibly be twenty pages of four-color awesome every month.
Frankenstein's monster leads a team of Creature Commandos based on old Hollywood movie monsters (vampire, mummy, werewolf, etc.) to fight the strange and unusual. Fun concept (if a bit reminiscent of Hellboy) and good execution. I like my comics full of crazy super science concepts and monsters fighting and this comic delivers the goods. I was unsure about Ponticelli's art at first as it doesn't quite fit with the super science stuff at the beginning, but when we got to Frankenstein and his crew laying the smackdown on the giant monsters invading a small town, I was completely sold; Ponticelli draws great monsters!
Rating: 3.5 (of 5).
Resurrection Man #1
by Dan Abnet, Andy Lanning, & Fernando Dagnino
Original Rank/Assessment: 35 (Maybe/Provisional) - I never really read this the first go-around, but the premise always struck me as interesting.
I still find the premise intriguing: Every time Mitch Shelley dies, he comes back to life with a different super power. As such, Mitch is a very reluctant hero, visited by a new compulsion when he is reborn with new powers. This new first issue introduces the title character and his situation and manages to get in some action as well, but I found Dagnino's art to be inconsistent and at times detrimental to good flow; there's a rushed feeling to the whole affair (maybe a separate inker would help?)
Rating: 2.5 (of 5).
Sunday, 18 September 2011
DCnU Reviews, Week 2: Deathstroke; Grifter; Suicide Squad
(Back in June when the new DCU titles were announced, I ranked all 52 titles on my likelihood of buying them. Only fair then to look back and see if my initial assessments hold up. My plan is to review each of the new titles as they come out.)
Deathstroke #1
by Kyle Higgins, Joe Bennett & Art Thibert
Original Rank/Assessment: 50 (Definitely No) - Absolutely no appeal here.
One of the charms of the old version of Deathstroke is that while Slade Wilson was an assassin-for-hire, he also fancied himself a gentleman and worked by a code of ethics. This DCnU version seems to jettisoned all of that, leaving Slade as simply a cold-blooded killer. Maybe they're eventually working their way to Slade changing what he is, but what we're left with now is a comic that just revels in violence with a protagonist who is as uninteresting and he is uncharming. There may be some who want to read this sort of comic, but I suspect even they will find this particular comic lacking.
Rating: 1.5 (of 5).
Grifter #1
by Nathan Edmondson, Cafu & Jason Gorder
Original Rank/Assessment: 40 (Probably Not) - Nothing much exciting here for this Wildstorm transplant.
Cole Cash is a former special forces soldier turned confidence man, now seemingly haunted by the voices of mysterious creatures (Daemonites?) who are hunting him for unknown reasons. There's plenty of action and some exposition, though I had some troubles following the transitions. This could evolve into an interesting title if they decide to focus on Cash's con man side, but it's not quite there yet. In the 'protagonists who carry guns and shoot people' it's miles ahead of Deathstroke (but that's fairly easy to do).
Rating: 2.5 (of 5).
Suicide Squad #1
by Adam Glass, Federico Dallocchio & Ransom Getty
Original Rank/Assessment: 37 (Maybe/Provisional) - One of my favorite high-concepts ever in comics returns, but everything about that cover screams at me to stay away.
Another comic that seems to revel in violence, in this case torture, shootings, people being burned alive, etc. Granted, we're talking about bad guys doing bad things and having bad things done to them, but that seems a thin excuse. The Suicide Squad's core concept, villains enlisted against their will to work for the state, is one that is ripe with conflict and potential. But so far this new iteration seems to be throwing all that potential away in favor of an excuse for violence. And I haven't even touched on the unnecessary visual changes to Harley Quinn & Amanda Waller; others have already taken care of those angles so I won't dwell on them here. If you're looking for a good version of the Suicide Squad, go dig out the old John Ostrander-written issues; or go buy Marvel's Thunderbolts, where Jeff Parker has taken the SS concept to the Marvel universe nearly whole-cloth, but at least understands it's potential and how to use it. So far, DC's new Suicide Squad is failing.
Rating: 2 (of 5).
Deathstroke #1
by Kyle Higgins, Joe Bennett & Art Thibert
Original Rank/Assessment: 50 (Definitely No) - Absolutely no appeal here.
One of the charms of the old version of Deathstroke is that while Slade Wilson was an assassin-for-hire, he also fancied himself a gentleman and worked by a code of ethics. This DCnU version seems to jettisoned all of that, leaving Slade as simply a cold-blooded killer. Maybe they're eventually working their way to Slade changing what he is, but what we're left with now is a comic that just revels in violence with a protagonist who is as uninteresting and he is uncharming. There may be some who want to read this sort of comic, but I suspect even they will find this particular comic lacking.
Rating: 1.5 (of 5).
Grifter #1
by Nathan Edmondson, Cafu & Jason Gorder
Original Rank/Assessment: 40 (Probably Not) - Nothing much exciting here for this Wildstorm transplant.
Cole Cash is a former special forces soldier turned confidence man, now seemingly haunted by the voices of mysterious creatures (Daemonites?) who are hunting him for unknown reasons. There's plenty of action and some exposition, though I had some troubles following the transitions. This could evolve into an interesting title if they decide to focus on Cash's con man side, but it's not quite there yet. In the 'protagonists who carry guns and shoot people' it's miles ahead of Deathstroke (but that's fairly easy to do).
Rating: 2.5 (of 5).
Suicide Squad #1
by Adam Glass, Federico Dallocchio & Ransom Getty
Original Rank/Assessment: 37 (Maybe/Provisional) - One of my favorite high-concepts ever in comics returns, but everything about that cover screams at me to stay away.
Another comic that seems to revel in violence, in this case torture, shootings, people being burned alive, etc. Granted, we're talking about bad guys doing bad things and having bad things done to them, but that seems a thin excuse. The Suicide Squad's core concept, villains enlisted against their will to work for the state, is one that is ripe with conflict and potential. But so far this new iteration seems to be throwing all that potential away in favor of an excuse for violence. And I haven't even touched on the unnecessary visual changes to Harley Quinn & Amanda Waller; others have already taken care of those angles so I won't dwell on them here. If you're looking for a good version of the Suicide Squad, go dig out the old John Ostrander-written issues; or go buy Marvel's Thunderbolts, where Jeff Parker has taken the SS concept to the Marvel universe nearly whole-cloth, but at least understands it's potential and how to use it. So far, DC's new Suicide Squad is failing.
Rating: 2 (of 5).
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