Via BookSlut's SDCC coverage, Raina Telgemeier is doing graphic novel adaptations of The Baby-sitters Club for Scholastic. This seems like the perfect storm for audience and content. It will also probably not sell in most comic shops, although I'm sure it'll make a killing in bookstores, and sell well to libraries too. And don't Scholastic do one of those buy-books-through-the-school things? I'd think that a smart comic store would have a couple of these on hand, prominently displayed near the front of the store, for browsing by little sis when she gets dragged along with big brother.Wednesday, 3 August 2005
Like Printing Money
Via BookSlut's SDCC coverage, Raina Telgemeier is doing graphic novel adaptations of The Baby-sitters Club for Scholastic. This seems like the perfect storm for audience and content. It will also probably not sell in most comic shops, although I'm sure it'll make a killing in bookstores, and sell well to libraries too. And don't Scholastic do one of those buy-books-through-the-school things? I'd think that a smart comic store would have a couple of these on hand, prominently displayed near the front of the store, for browsing by little sis when she gets dragged along with big brother.
Tuesday, 2 August 2005
New This Week: August 3, 2005
Based on the NCRL list for this week's comics shipping from Diamond, here are a few things to look for at the local comic shop tomorrow:The Pick of the Week is Top Ten: The Forty-Niners from DC/WildStorm/ABC. Yes, it's an expensive hardcover OGN, but it's Alan Moore telling the history of the Top Ten universe, and with art by Gene Ha you just know that's it's going to look fabulous in this upscale production.
In other comics:
Abstract have the seventy-fifth issue of Strangers in Paradise.
Active Images have the new Hip Flask: Mystery City one-shot.
Alias debut the second volume of the fun Opposite Forces, at just 75 cents.
Dark Horse have the second issue of Serenity (I'll be getting the Jo Chen cover.)
DC bring on the Alan Moore love, as in addition to the Top Ten OGN they also have a collection of The Ballad of Halo Jones, with art by Ian Gibson. Other trades include a collection of The Sandman Presents: Thessaly, Witch for Hire and DC's Greatest Imaginary Stories. New comics include the debut of Alex Ross's Super Friends-inspired Justice, as well as new issues of The Return of Donna Troy (#3), Gotham Central (#34), The Intimates (#10), JSA (#76), Swamp Thing (#18), and Y, the Last Man (#36).
Digital Manga have the debuts of Antique Bakery for the yaoi fans, and Bambi & Her Pink Gun for the cute-punk/goth-chicks-with-firearms fans.
IDW have the third Legend of Grimjack collection.
Kenzer & Co. have the latest issue of Knights of the Dinner Table (#105).
Marvel have the debut of the Gaiman-less Marvel 1602: New World, plus a new issue of Ultimate Spider-Man (#81).
And that's it. Not a great number of items, but there's several expensive trades and GNs, so you should have no trouble spending your money this week!
New Library Comics: Week of July 25, 2005
Here are the comics we got in for our library collection last week:Kobayashi, Makoto, 1958- What's Michael? /Milwaukie, Ore. : Dark Horse Comics, 1997-1998. v. 6-9
Millionaire, Tony. Sock Monkey /Milwaukie, OR : Dark Horse Comics, c1998- v. 3/4
Miyazaki, Hayao, 1941- Nausicaä of the Valley of Wind /San Francisco, CA : VIZ, LLC, c2004- v. 7
Monday, 1 August 2005
Best of July
In this post I'm reprinting reviews of items for which I gave a rating of 4 or better in the month of July:
The Surrogates #1
by Robert Venditti & Brett Weldele
Top Shelf are mostly known for publishing indy comic anthologies and B&W OGNs, so what are they doing publishing a scifi noir as a glossy color limited series? I don't know, but since the results are so good, I don't really care about the reasons. Fifty years in the future, a couple on their way home from a bar are attacked and electrocuted in an alley. But it turns out that these aren't people who have died, but rather their surrogates. In this future world, 'surrogates' are artificial bodies employed by people to interact with the real world while they sit around all day in their crummy little apartments. Yeah yeah, it's a metaphor, but it serves to put a twist on the murder mystery. I don't recall ever encountering work by either of the creators before, but what I see here impresses me. The art by Weldele is a simple pen-and ink style that echoes somewhat Bill Sienkiewicz or Ben Templesmith, colored in a moody Vertigoesque palatte. Author/creator Venditti & Weldele create a world and give us the parameters of its functioning within the confines of the story; they never stop to explain something but rather let the explainations come about naturally and as needed. (Although a text piece posing as a faux-academic article at the end fills in some of the background, it is not necessary reading for the story.) All in all this is a promising start to the series; I just wish it was being published more frequently than quarterly.
Rating: 4 (of 5)
Gotham Central #33
by Greg Rucka, Ed Brubaker, Kano & Stefano Gaudiano
A kid in a Robin costume shows up dead in an alley, apparently haven fallen from the rooftops above. We know it's not the 'real' Robin, and to their credit most of the GCPD think that it probably isn't either, but they have to go through the motions anyway, treating this as a redball case and working around the unwanted participation/interference of a certain caped vigilante. This is Brubaker's swansong before he goes off to waste his talents in an exclusive at Marvel, and he and Rucka have chosen a doosy of a premise to run with. They make lemonade out of lemons, using the stupid post-War Games status quo between Batman and the police to come up with a plot that could only work if they're not talking to each other. This is also the debut of the 'new' art team as Kano & Gaudiano switch duties; it works well: Kano provides clean layouts, good figurework and strong storytelling while Gaudiano's inks give it all a gritty edge. This continues to be one of the best comics published monthly by DC.
Rating: 4 (of 5)
Sweaterweather
by Sara Varon
Sweaterweather is a collection of mostly wordless short stories about a bunch of little anthropomorphic animals (and a snowman) going about life in the city. Most of the stories take place during the cold months of late autumn to early spring, hence the title. It may not sound exciting, but the stories have a certain sweetness and Varon is an excellent storyteller. It many ways this comic reminds me of Andy Runton's Owly, although the stories in Sweaterweather have a bit more of an edge. Most of the book is in black and white (well, actually black and navy blue) but in the back there's a color section with cleaver paper dolls, stamps and postcards. This is a fun book that can be enjoyed by comic readers of all ages.
Rating: 4 (of 5)
Freaks of the Heartland
by Steve Niles and Greg Ruth
Several years ago in the small farming community of Gristlewood Valley, several gave birth to severly deformed--some would say unnatural--children. Some were killed, while others were locked away, living all of the existance in cellars or barns. Young Trevor knows that his younger brother Will is different, but he also knows that Will has a good heart and its not fair for Will to be locked away, never able to play in the sun. But this secret is eating away at the people of the valley, and when events build towards a violent head Trevor decides to break Will out and they make a run to escape the valley. Although there are monsters in the story (and not all of them are the deformed children) this isn't exactly a horror story; it falls into a traditio nof stories that I've always refered to as 'American Gothic'--tales of secrets and evil and things not quite right in small towns and rural communities. There is violence in Freaks of the Heartland, but it mostly occurs just off panel. Niles isn't going for shocks here, but rather trying to disturb. What really makes this work is the art of Ruth; detailed pen and ink drawings combine with the earthy computer color pallate to create an environment that evokes the warm heartland in which this disturbing tale is set. If you like your horror stories to be about events and characters and mood rather than blood and guts, you'll find Freaks of the Heartland quite to your liking.
Rating: 4 (of 5)
Banana Sunday #1
by Root Nibot & Colleen Coover
Kirby Steinberg is the new girl at Forest Edge High School, but she's not just any new girl. Kirby comes with three talking monkeys in tow: Chuck, the super-intelligent orangutan ego; Go-Go, the always hungry gorilla id; and Knobby, the sensitive babe-magnet monkey superego. Kirby claims that her three talking monkey companions are the results of her scientist father's experiments with accellerated leaning abilities, but Nickels, Kirby's new best friend and reporter for the school paper, suspects that may not be the whole truth. Add in Martin, the cute boy photographer who comes to Kirby's aid when her clutziness gets the better of her, and you have the makings of a fun series. There's a general atmosphere of fun and the humor is often gentle and subtle, except for Go-Go whose antics at times are downright laugh-out-loud funny. The big attraction for this book of course is the wonderful art from Colleen Coover, stepping out from the erotic-comix ghetto to prove that she can do high school situational and physical comedy for an all-ages audience. It's all there: figures, backgrounds, storytelling, and a sureness of line; Coover makes it look easy, and gets to draw plenty of cute girls and talking monkeys. I'm sure you'll be tempted to wait for the trade, but there's plenty enough story and fun here to justify spending $3 on each individual issue; then you can get the inevitable trade when it comes out and share it with all your friends.
Rating: 4 (of 5)
Desolation Jones #2
by Warren Ellis & J. H. Williams III
While the first issue led us to believe that this was yet another take on the usualy Ellis archetypal main character, this second issue explores Jones further and proves him to have greater depth than we might have previously realized. Namely, this protagonist has something that other Ellis types do not: empathy. He also has a sense of compassion, all expertly realized in the extended scene between Joens & Emily Crowe, the woman whose body has been modified to produce fear and revulsion in every person (except for Jones). It's downright touching, something I wasn't expecting. If Ellis can keep playing against expectations, combined with the superb art by Williams (which I could go on about, but I don't have to since Jog does such a good job of praising the art on his blog) we might have another winner on our hands.
Rating: 4 (of 5)
The Surrogates #1by Robert Venditti & Brett Weldele
Top Shelf are mostly known for publishing indy comic anthologies and B&W OGNs, so what are they doing publishing a scifi noir as a glossy color limited series? I don't know, but since the results are so good, I don't really care about the reasons. Fifty years in the future, a couple on their way home from a bar are attacked and electrocuted in an alley. But it turns out that these aren't people who have died, but rather their surrogates. In this future world, 'surrogates' are artificial bodies employed by people to interact with the real world while they sit around all day in their crummy little apartments. Yeah yeah, it's a metaphor, but it serves to put a twist on the murder mystery. I don't recall ever encountering work by either of the creators before, but what I see here impresses me. The art by Weldele is a simple pen-and ink style that echoes somewhat Bill Sienkiewicz or Ben Templesmith, colored in a moody Vertigoesque palatte. Author/creator Venditti & Weldele create a world and give us the parameters of its functioning within the confines of the story; they never stop to explain something but rather let the explainations come about naturally and as needed. (Although a text piece posing as a faux-academic article at the end fills in some of the background, it is not necessary reading for the story.) All in all this is a promising start to the series; I just wish it was being published more frequently than quarterly.
Rating: 4 (of 5)
Gotham Central #33by Greg Rucka, Ed Brubaker, Kano & Stefano Gaudiano
A kid in a Robin costume shows up dead in an alley, apparently haven fallen from the rooftops above. We know it's not the 'real' Robin, and to their credit most of the GCPD think that it probably isn't either, but they have to go through the motions anyway, treating this as a redball case and working around the unwanted participation/interference of a certain caped vigilante. This is Brubaker's swansong before he goes off to waste his talents in an exclusive at Marvel, and he and Rucka have chosen a doosy of a premise to run with. They make lemonade out of lemons, using the stupid post-War Games status quo between Batman and the police to come up with a plot that could only work if they're not talking to each other. This is also the debut of the 'new' art team as Kano & Gaudiano switch duties; it works well: Kano provides clean layouts, good figurework and strong storytelling while Gaudiano's inks give it all a gritty edge. This continues to be one of the best comics published monthly by DC.
Rating: 4 (of 5)
Sweaterweatherby Sara Varon
Sweaterweather is a collection of mostly wordless short stories about a bunch of little anthropomorphic animals (and a snowman) going about life in the city. Most of the stories take place during the cold months of late autumn to early spring, hence the title. It may not sound exciting, but the stories have a certain sweetness and Varon is an excellent storyteller. It many ways this comic reminds me of Andy Runton's Owly, although the stories in Sweaterweather have a bit more of an edge. Most of the book is in black and white (well, actually black and navy blue) but in the back there's a color section with cleaver paper dolls, stamps and postcards. This is a fun book that can be enjoyed by comic readers of all ages.
Rating: 4 (of 5)
Freaks of the Heartlandby Steve Niles and Greg Ruth
Several years ago in the small farming community of Gristlewood Valley, several gave birth to severly deformed--some would say unnatural--children. Some were killed, while others were locked away, living all of the existance in cellars or barns. Young Trevor knows that his younger brother Will is different, but he also knows that Will has a good heart and its not fair for Will to be locked away, never able to play in the sun. But this secret is eating away at the people of the valley, and when events build towards a violent head Trevor decides to break Will out and they make a run to escape the valley. Although there are monsters in the story (and not all of them are the deformed children) this isn't exactly a horror story; it falls into a traditio nof stories that I've always refered to as 'American Gothic'--tales of secrets and evil and things not quite right in small towns and rural communities. There is violence in Freaks of the Heartland, but it mostly occurs just off panel. Niles isn't going for shocks here, but rather trying to disturb. What really makes this work is the art of Ruth; detailed pen and ink drawings combine with the earthy computer color pallate to create an environment that evokes the warm heartland in which this disturbing tale is set. If you like your horror stories to be about events and characters and mood rather than blood and guts, you'll find Freaks of the Heartland quite to your liking.
Rating: 4 (of 5)
Banana Sunday #1by Root Nibot & Colleen Coover
Kirby Steinberg is the new girl at Forest Edge High School, but she's not just any new girl. Kirby comes with three talking monkeys in tow: Chuck, the super-intelligent orangutan ego; Go-Go, the always hungry gorilla id; and Knobby, the sensitive babe-magnet monkey superego. Kirby claims that her three talking monkey companions are the results of her scientist father's experiments with accellerated leaning abilities, but Nickels, Kirby's new best friend and reporter for the school paper, suspects that may not be the whole truth. Add in Martin, the cute boy photographer who comes to Kirby's aid when her clutziness gets the better of her, and you have the makings of a fun series. There's a general atmosphere of fun and the humor is often gentle and subtle, except for Go-Go whose antics at times are downright laugh-out-loud funny. The big attraction for this book of course is the wonderful art from Colleen Coover, stepping out from the erotic-comix ghetto to prove that she can do high school situational and physical comedy for an all-ages audience. It's all there: figures, backgrounds, storytelling, and a sureness of line; Coover makes it look easy, and gets to draw plenty of cute girls and talking monkeys. I'm sure you'll be tempted to wait for the trade, but there's plenty enough story and fun here to justify spending $3 on each individual issue; then you can get the inevitable trade when it comes out and share it with all your friends.
Rating: 4 (of 5)
Desolation Jones #2by Warren Ellis & J. H. Williams III
While the first issue led us to believe that this was yet another take on the usualy Ellis archetypal main character, this second issue explores Jones further and proves him to have greater depth than we might have previously realized. Namely, this protagonist has something that other Ellis types do not: empathy. He also has a sense of compassion, all expertly realized in the extended scene between Joens & Emily Crowe, the woman whose body has been modified to produce fear and revulsion in every person (except for Jones). It's downright touching, something I wasn't expecting. If Ellis can keep playing against expectations, combined with the superb art by Williams (which I could go on about, but I don't have to since Jog does such a good job of praising the art on his blog) we might have another winner on our hands.
Rating: 4 (of 5)
Sunday, 31 July 2005
Monkey Covers
Today's cover is Tarzan #206, from February 1972. The cover painting by George Wilson features Tarzan battling "English speaking gorillas with minds and desires of ferocious beasts!"
(standard disclaimer about gorillas not really being monkeys applies)
Image courtesy of the GCD. Click on the image for a larger version.
Wednesday, 27 July 2005
Quick Spider-Man GN Reviews
Spectacular Spider-Man, vol. 5: Sins Rememberedby Sara Barnes, Scot Eaton & Cam Smith
One of the most talked about super-hero stories of last year was "Sins Past," the Spider-Man story by JMS that revealed that Gwen Stacy had been seduced by Norman "Green Goblin" Osborn and had twins shortly before her death. Those twins were lightly super-powered with advanced strangth and agility and were rapidly aging, and had a mad-on for Peter Parker. At the end, Gabe was seemingly dead and Sarah--who was the spitting image of her mother--went back to France. This wholly unnecessary sequel picks up a few months later, as Peter parker is called to France after Sarah reportedly attempts suicide by pills. Peter soon discoveres that Sarah is in trouble with a local drug lord due to debts incurred by her brother, and that Sarah also has a crush on him. It may not sound like it by my description, but for the plot to continually move forward it's required that the main participants act stupid most of the time. In Sarah's case this can be forgiven, since despite that fact that she looks like a hot twenty-something babe she is actually just ten-years-old, but Peter and Mary Jane should know better. Clichés abound, including that old chestnut of a person's siginificant other walking in the room just as he/she is being kissed by Object of Jealousy even though the attraction is unrequited. Eaton's art is competent enough in the light T&A style that's so popular these days, and he draws Sarah wearing plenty of tight sweaters--though at least she's not prancing around for three pages in her underwear.
Rating: 2.5 (of 5)
Spider-Man: Indiaby Jeevan J. Kang & Gotham Studios Asia
For some reason Indian comics producers Gotham Studios Asia wanted to produce a homegrown version of Spider-Man--so they did. The result is Spider-Man: India, which sees Spidey's origin reframed as mystical rather than technological, and the names of the characters Indianized (e.g. Peter Parker becomes Pavitr Prabhakar and Mary Jane becomes Meera Jain). Of course Pavitr is still the school outcast (he's a scholarship student from the country), Meera Jain is still hot and nice, Flash is still a jerk, and Uncle Bihm still has to die. Spidey fights versions of the Green Goblin and Doctor Octopus and learns that with great power comes great responsibility. Except for the surface changes tehre's really nothing much new here. The art is by Kang and the studio, and it has that weird quality of sameness yet slight inconsistancy that can only arise from studio work.
Rating: 2.5 (of 5)
Marvel Knights Spider-Man, vol. 3: The Last Standby Mark Millar, Terry Dodson & Rachel Dodson
Let's see, where were we: oh yes, Aunt May has been kidnapped (again!) and Norman Osborne is behind it. He wants Spdier-Man to break him out of prison in exchange for her life, and Peter shuts his brain completely off and goes along with the plan. Meanwhile, The Scorpion becomes the new Venom and the secret history of super-villains is uncovered; and Mary Jane gets jealous, though at least she does the one smart thing in this comic before she gets kidnapped (again!) by the Green Goblin and dangled off a bridge--just like Gwen Stacy! Sigh. The art by the Dodsons is okay, though it's far from their best work. The most amazing thing about Millar's MK Spidey run is that he managed to stretch his whole four-issue story out into twelve issues.
Rating: 2.5 (of 5)
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