Here are the comics we added to our library collection last week:
Barnes, Bill, 1967- Book club : an Unshelved collection /Seattle, WA : Overdue Media LLC., c2006.
Big fat little lit /New York : Puffin, c2006.
Bouden, Tom, 1971- In bed with David & Jonathan /Berlin : Bruno Gmunder, c2006.
Brown, Chester, 1960- Louis Riel : a comic-strip biography /Montreal : Drawn and Quarterly ; New York : Distributed in the USA by Farrar, Straus and Giroux, 2006.
Chaykin, Howard V. Mighty love /New York : DC Comics, c2003.
Cicerone, Michelangelo. Ozone Jones : space worms /[Dearborn, Mich.?] : Michelangelo Cicerone, c2005.
Espinosa, Rod. Rod Espinosa's New Alice in Wonderland /San Antonio, Texas : Antarctic Press, c2006- vol. 1
Feiffer, Jules. Passionella and other stories /Seattle, Wash. : Fantagraphics, 2006.
Fingerman, Bob, 1964- Recess pieces /Milwaukie, OR : Dark Horse Books, 2006.
Fish, Tim, 1970- Something fishy this way comes-- : a collection of off-beat mini-comics /Los Angeles, CA : Poison Press, 2006.
Fraction, Matt. Five fists of science /Berkeley, Calif. : Image Comics, 2006.
Giardino. Rapsodia ungherese : una storia di Max Fridman /Roma : Lizard edizioni, c2004.
Lewis, Jon. True swamp : underwoods and overtime /Gainesville, Fla. : Alternative Comics, 2000.
McCloud, Scott, 1960- Making comics : storytelling secrets of comics, manga and graphic novels /New York : HarperPerennial, c2006.
Morrison, Grant. Doom patrol : down paradise way /New York, NY : DC Comics, c2005.
Morrison, Grant. Doom patrol : musclebound /New York : D.C. Comics Inc., c2006.
Myrick, Leland. Missouri Boy /New York : First Second, 2006.
Pinsent, Ed. Primitif /Glasgow : Kingly Books, 2006.
Sfar, Joann. Klezmer /New York : First Second, c2006- vol. 1
Shaw, Dash. The mother's mouth /Gainesville, Fla. : Alternative Comics, [2006]
Starger, Steve. Wally's world : the brilliant life and tragic death of Wally Wood, the world's second best comic book artist /Somerset, N.J. : Vanguard, c2006.
Ware, Chris, 1967- Jimmy Corrigan : or, the smartest kid on earth : in the final explosive installment of our amateur 'nouvelle graphique' /Seattle, Wash. : Fanta-graphics Book Concern, c2000.
Ware, Chris, 1967- Jimmy Corrigan, smartest kid on earth : handy synopsis of our story /Seattle, Wash. : Fantagraphics Book Co., c1998.
Wilson, S. Clay. The art of S. Clay Wilson. /Berkeley, Calif. : Ten Speed Press, 2006.
Zezelj, Danijel. Stray dogs : a story in eight chapters /Milano : Charta ; Boston (USA) : Isabella Stewart Gardner Museum, 2005.
Monday, 15 January 2007
Sunday, 14 January 2007
Monkey Covers
Sunday is Monkey Covers day here at YACB. Because there's nothing better than a comic with a monkey on the cover.Look, it's a giant purple bow and arrow-wielding gorilla on Bob Brown's 1966 cover for Tomahawk #107.
(Standard disclaimer about giant purple gorillas masquerading as Native American stereotypes not really being monkeys applies.)
Image courtesy of the The Gorilla Cover Gallery. Click on the image for a larger version.
Friday, 12 January 2007
Slave Labor Dominates Sales Charts
I know you all read ¡Journalista! before coming here, so you've probably already seen Dirk's link to the Cold Cut Top 300 of 2006.
Slave Labor Graphics dominates, taking the first 36 positions on the list, with perennial seller Johnny the Homicidal Maniac taking 8 of the top 10. JtHM #1 is the top seller, a comic that first came out over a decade ago.
Unfortunately Cold Cut doesn't include actual sales figures, so we can't do a long tail analysis. I assume that most comic shops that use Cold Cut are doing so because the get better service (and price?) on back issues for the non-front-of-Previews stock than they can from Diamond.
Just a reminder that the true state of the comics industry sales-wise cannot be determined by looking at Diamond's sales charts alone. The true formula is:
Not all comics-like-things make use of all of those distribution channels; but I imagine that Slave Labor is making a good deal of their sales through places other than Diamond.
Slave Labor Graphics dominates, taking the first 36 positions on the list, with perennial seller Johnny the Homicidal Maniac taking 8 of the top 10. JtHM #1 is the top seller, a comic that first came out over a decade ago.
Unfortunately Cold Cut doesn't include actual sales figures, so we can't do a long tail analysis. I assume that most comic shops that use Cold Cut are doing so because the get better service (and price?) on back issues for the non-front-of-Previews stock than they can from Diamond.
Just a reminder that the true state of the comics industry sales-wise cannot be determined by looking at Diamond's sales charts alone. The true formula is:
Total Sales = Diamond + Cold Cut (and others) + Book Market + Newsstand + Subscriptions + Direct to Consumer (online and otherwise) + Foreign Sales
Not all comics-like-things make use of all of those distribution channels; but I imagine that Slave Labor is making a good deal of their sales through places other than Diamond.
Thursday, 11 January 2007
Yet Another Music Moment: Matraca Berg
Matraca Berg is probably my favorite Nashville-based songwriters. Heck, she's one of my all-time favorite singer-songwriters period.
Most of you right now are saying "Who?"
Here's Matraca singing her CMA-winning song "Strawberry Wine" (originally recorded by Deana Carter):
See what I mean?
Her 1997 album Sunday Morning to Saturday Night--long out of print--is spectacular. If you listen to "Back When We Were Beautiful" and don't shed a tear, you're not human.
Here's her official Website: http://www.matracaberg.com/ where you'll find a few more videos and lots of other info.
She almost never tours these days but sometimes appears at the Bluebird Cafe in Nashville. If you live in Glasgow or South Yorkshire then I'm very jealous because she's appearing in a couple of weeks with Gretchen Peters & Suzy Bogguss for a couple of concerts.
Most of you right now are saying "Who?"
Here's Matraca singing her CMA-winning song "Strawberry Wine" (originally recorded by Deana Carter):
See what I mean?
Her 1997 album Sunday Morning to Saturday Night--long out of print--is spectacular. If you listen to "Back When We Were Beautiful" and don't shed a tear, you're not human.
Here's her official Website: http://www.matracaberg.com/ where you'll find a few more videos and lots of other info.
She almost never tours these days but sometimes appears at the Bluebird Cafe in Nashville. If you live in Glasgow or South Yorkshire then I'm very jealous because she's appearing in a couple of weeks with Gretchen Peters & Suzy Bogguss for a couple of concerts.
Quick OEL Manga Reviews
Snow vol. 1 by Morgan Luthi (TokyoPop, $9.99) features one of those galactic future milieus where humans and aliens exist side-by-side, and an oppressive galactic empire seeks to run roughshod over the various worlds for no apparent reason. The empire's key weapon is The Ghost, a humanoid being that is dropped onto an uncooperative planet and runs roughshod over everything. On the ass-end of the universe is The Hub, whose newest arrival, Snow, bears a remarkable resemblance to The Ghost. Luthi--another of TP's Rising Stars finalists--manages to work in libertarian ideas without being too obvious or preachy, or leaving out the many warts. In fact, there are a lot of good ingredients here; but they don't quite gel into a comprehensive whole, and the story is a bit too obvious in places.
I shouldn't have liked Nathaniel Bowden & Tracy Yardley's Riding Shotgun vol. 1 (TokyoPop, $9.99) for it's senseless, over-the-top violence, but it was gleeful and charming enough to win me over in its nihilism. Set in an alternate world where assassination is legal and regulated, Doyle Harrington and his partner Abby are up-and-coming assassins looking to make the jump to the big leagues. But their plans go awry when one of their targets turns out to be Doyle's old high school girlfriend. Yardley's art is appropriately energetic. The car chase sequence that runs for about 17 pages at three-quarters of the way through is one of the best I've seen represented in comics. Riding Shotgun doesn't quite measure up to Bambi and Her Pink Gun in the ranks of violent nihilistic comics, but it's a good read for fans of that sort of stuff and I'll be looking forward to the next volume.
With Scott Pilgrim and the Infinite Sadness (Oni, $11.95) I think I'm finally getting into the groove of Brian Lee O'Malley's video games-meet-emo world view. I laughed quite a bit, and actually looked forward to the crazy fight scenes that pop in to resolve existential and emotional conflicts. I'm a bit concerned that the plot doesn't seem to be moving forward much, but we get enough drama, back story, action and humor to carry us through this volume at least. And I still feel sorry for poor Knives Chau, whose only mistake was falling for the charming but self-centered Scott.Ratings:
Snow vol. 1: 2.5 (of 5)
Riding Shotgun vol. 1: 3 (of 5)
Scott Pilgrim and the Infinite Sadness: 3.5 (of 5)
Wednesday, 10 January 2007
Quick Boom! Catch-Up Reviews
I've fallen way behind on my review copies sent by Boom!, so here's an attempt to get caught up:
Talent #3-4 bring the miniseries by Christopher Golden, Tom Sniegoski & Paul Azaceta about Dane--the lone survivor of a plane crash who has the abilities & memories of all the other passengers--to a satisfactory close, although it is left open enough for the story to continue should the creators & Boom! so desire. The story here is as much about the various groups that seek to control Dane as much as it is about Dane's compulsions to make things right in the lives of those he has 'absorbed.' Paul Azaceta's art--definitely in the Michael Lark-style mode--fits the story being told well, and hopefully we'll see more from him in the future. Hopefully Talent will continue as well in some form; its high concept seems perfectly suited to be a television series so maybe some enterprising Hollywood producer will give it a go (just as long as it doesn't meet the same fate as Global Frequency...)
Second Wave #6--by Michael Alan Nelson & Chee--would also seem to be the end, as AFAIK there have been no further issues announced. This series has been plagued from the beginning with a format chnge from color to black & white (which appeared to be unknown to Chee when he was doing art on earlier issues) and a title change seemingly every other issue as well. At least there are tones and backgrounds in most of the art in this issue, which I'm guessing means that Chee was finally planning on his art being reproduced in black & white, and the art is definitely improved for it. The story about a second alien invasion from Mars (following up on the initial War of the Worlds) started out strong, but along with presentation issues the story also degenerated into clichés and by now I've pretty much lost interest.
I expected to lose interest in Warhammer 40,000: Damnation Crusade #1 within the first three pages, but surprisingly I didn't. I have virtually no familiarity with the tabletop miniatures game on which this comic is based; as is typical with these sorts of thins there appears to be a huge amount of world building and back story to the game with which I'm sure its adherents are intimately familiar but casual readers are not privy to. Surprisingly writers Dan Abnett & Ian Edginton provide just enough information so that I'm not totally lost (and there's a two-page text feature at the end with background info should I care to learn more). It would seem that there's a galactic war going on, with the factions combing backwater planets to recruit warriors to fight for them. It's overly violent, which is to be expected from this sort of thing, and ale illustrated by Lui Antonio. At $2.99 it's cheaper than Boom!'s typical output, so I'm assuming that they're planning on increased sales from a known licensed property to make up the revenue. Let's hope that's the case because I'd hate to see the production quality take a nose-dive like it did with Second Wave.
What Were They Thinking: Monster Mash-Up #1 is another of those comics where they take old comic stories and re-mix them with new dialog. It's pretty much the standard stuff you'd expect, and would be completely forgettable if not for blogger Kevin Church's "Hairy Grrls," in which a frustrated narrator to the story is the real star, with laugh-out-loud bits in nearly every panel. Worth the $4 for those seven pages alone.
Ratings:
Talent #3-4: 3.5 (of 5)
Second Wave #6: 2 (of 5)
Warhammer 40,000: Damnation Crusade #1: 2.5 (of 5)
What Were They Thinking: Monster Mash-Up #1: 3 (of 5)
(Review copies of the above comics were provided by the publisher.)
Talent #3-4 bring the miniseries by Christopher Golden, Tom Sniegoski & Paul Azaceta about Dane--the lone survivor of a plane crash who has the abilities & memories of all the other passengers--to a satisfactory close, although it is left open enough for the story to continue should the creators & Boom! so desire. The story here is as much about the various groups that seek to control Dane as much as it is about Dane's compulsions to make things right in the lives of those he has 'absorbed.' Paul Azaceta's art--definitely in the Michael Lark-style mode--fits the story being told well, and hopefully we'll see more from him in the future. Hopefully Talent will continue as well in some form; its high concept seems perfectly suited to be a television series so maybe some enterprising Hollywood producer will give it a go (just as long as it doesn't meet the same fate as Global Frequency...)
Second Wave #6--by Michael Alan Nelson & Chee--would also seem to be the end, as AFAIK there have been no further issues announced. This series has been plagued from the beginning with a format chnge from color to black & white (which appeared to be unknown to Chee when he was doing art on earlier issues) and a title change seemingly every other issue as well. At least there are tones and backgrounds in most of the art in this issue, which I'm guessing means that Chee was finally planning on his art being reproduced in black & white, and the art is definitely improved for it. The story about a second alien invasion from Mars (following up on the initial War of the Worlds) started out strong, but along with presentation issues the story also degenerated into clichés and by now I've pretty much lost interest.
I expected to lose interest in Warhammer 40,000: Damnation Crusade #1 within the first three pages, but surprisingly I didn't. I have virtually no familiarity with the tabletop miniatures game on which this comic is based; as is typical with these sorts of thins there appears to be a huge amount of world building and back story to the game with which I'm sure its adherents are intimately familiar but casual readers are not privy to. Surprisingly writers Dan Abnett & Ian Edginton provide just enough information so that I'm not totally lost (and there's a two-page text feature at the end with background info should I care to learn more). It would seem that there's a galactic war going on, with the factions combing backwater planets to recruit warriors to fight for them. It's overly violent, which is to be expected from this sort of thing, and ale illustrated by Lui Antonio. At $2.99 it's cheaper than Boom!'s typical output, so I'm assuming that they're planning on increased sales from a known licensed property to make up the revenue. Let's hope that's the case because I'd hate to see the production quality take a nose-dive like it did with Second Wave.
What Were They Thinking: Monster Mash-Up #1 is another of those comics where they take old comic stories and re-mix them with new dialog. It's pretty much the standard stuff you'd expect, and would be completely forgettable if not for blogger Kevin Church's "Hairy Grrls," in which a frustrated narrator to the story is the real star, with laugh-out-loud bits in nearly every panel. Worth the $4 for those seven pages alone.Ratings:
Talent #3-4: 3.5 (of 5)
Second Wave #6: 2 (of 5)
Warhammer 40,000: Damnation Crusade #1: 2.5 (of 5)
What Were They Thinking: Monster Mash-Up #1: 3 (of 5)
(Review copies of the above comics were provided by the publisher.)
Tuesday, 9 January 2007
YACB Bulletins
ITEM! Sara Ryan lets us know (via her blog) that there's a second issue of Flytrap in the works, with art this time out by Ron Chan. (Character sketches at the link.)
ITEM! Jorge Cham memorializes Ramen Noodle inventor Momofuku Ando (1910–2007) in Friday's edition of his Piled Higher & Deeper strip.
ITEM! Your local Borders has all Viz manga at Buy 3 Get the 4th Free through Jan 29th!
ITEM! Jorge Cham memorializes Ramen Noodle inventor Momofuku Ando (1910–2007) in Friday's edition of his Piled Higher & Deeper strip.
ITEM! Your local Borders has all Viz manga at Buy 3 Get the 4th Free through Jan 29th!
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