Wednesday, 7 February 2007

Is Fables DC's Best-selling Title?

Is Fables DC's best-selling title?

I ask because the latest collection, Wolves (vol. 8) not only topped Diamond's December graphic novels chart, but was also the top non-manga title in the latest PW sales chart (which charts bookstore sales too).

Fables would appear to be an evergreen title too, with the Diamond chart showing 1500 of vol. 1 & 1000 of vol. 2 in December (in November it was even higher: 1700 & 1400 respectively). That's most likely 3000 new readers of Fables over the last two months of 2006, not even counting bookstore sales.

It's got to be either Fables or Y, the Last Man.

New Library Comics: Week of January 29, 2007

Here are the comics we added to our library collection last week:



Farr, Michael, 1953- Tintin : the complete companion /San Francisco, CA : Last Gasp, c2002.

Kiersh, Dave. Last cry for help. /A Dave K Comic, 2006.

Maslov, Nikolai. Siberia /Brooklyn, NY : Soft Skull Press ; [Berkeley, Calif.] : Distributed by Publishers Group West, 2006.

McKeever, Ted. Ted McKeever's Metropol /[S.l.] : Sorhenn Grafiks, c2000- vol. 1

Melby comics. /Royal Oak, MI : Melby Comics, c2004- no. 1

Tuesday, 6 February 2007

Super-hero Comics = Niche

Super-hero comics are a niche industry.

I know that may seem to be a funny thing to say. One need only to look at the monthly Diamond sales charts to see that super-hero comics from DC & Marvel dominate. But it's those same charts that give us a clue as to how small the super-hero comic market actually is.

Let's take a look at the current most popular super-hero comics, Marvel's Civil War mini-series. The latest issue for which we have sales figures is #5, where it moved about 273K copies. Now we know there were multiple cover incentives, and we also know that not every super-hero comics fan was buying Civil War; so let's make the math easy on ourselves and say, probably generously, that there are 300,000 people in North America who are interested in buying super-hero comics on an at least monthly basis.

Now 300,000 potential customers is nothing to sneeze at. If we assume that (again rounding to make the math easy) that there are 3000 comic book specialty stores in that market, that gives us 100 regular customers per store. Not huge, but of those customers are regulars who spend enough money you cna probably make a go of it. Of course you have to have a product that caters to those regular customers; from what we've seen over the past years, those customers like continuity-heavy, event-driven comics.

However, 300,000 is a very small number compared to the population: 300M in the US, plus another 33M in Canada. So we're talking less than one-tenth of one percent of the population is interested in regular super-hero comics. That is pretty much a standard definition of 'niche.'

I would argue that 300,000 was pretty much always been the upper limit of dedicated super-hero comics fans; even back in the early-90s heydey, when top super-hero comics could sell 1M-5M copies, it was gimick covers and speculators and collectors buying multiple copies pushing those numbers up.

300,000 is not, we should note, the upper limit of people who are interested in super-heroes themselves. The most popular super-hero movie of recent years, Spider-Man 2, took in $373,585,825 in domestic gross; if we assume $10 per ticket, that's 37 million people who wanted to watch a super-hero movie. Heroes, the #1 new television show of the season, gets nearly 14 million viewers per week.

Clearly people are interested in super-heroes, just not super-hero comics (at least as they present themselves).

300,000 is also not the number of people in North America interested in comics themselves. One need only to look at the bookstore market where teen-oriented manga and selected 'mainstream graphic novels' regularly outsell the super-hero collections quite handily.

There's nothing necessarily wrong with being a niche market. Most markets are. It means giving that market what it wants, which is why the Diamond sales charts are dominated by those types of comics.

One could make the argument (and many have) that, to break out of the niche to a larger market that is clearly interested in super-heroes, the publishers of super-hero comics should make super-hero comics that don't play to the continuity-heavy niche. The problem is that we've seen that those comics don't appeal to the niche, and thus cannot support themselves enough to survive in that ecosystem. And outside of the niche market you're competing with manga, and the manga kids have made it quite clear where they want to spend their comics dollars.

So super-hero comics are a niche, and most likely will continue to be a niche. It appeals to that niche market well enough to survive. I just don't see and clear way that it can break out; nor do I see that it necessarily should.

Monday, 5 February 2007

Minicomics Monday

Great Moments in BaseballCartoonist Molly Lawless sent along a couple of her chapbook-sized comics for me to review. I'm pleased to say that they are both quite enjoyable.

infandum!: Adventures in Intoxication is short--just eight pages, including covers--but she packs a lot of story in; four stories, in fact. As you might guess from the subtitle they're all about inebriation in one form or another. Two deal with religion as well: one about the odder aspects of the transubstatiation doctrine, the other as to why you should never get into the Jesus Van while stoned.

Lawless's newest comic, Great Moments in Baseball #1, highlights some of the low points in the grand history of our nation's pastime, Such as the last stand of the original Washington Senators, or the time Ty Cobb claims he killed a man. Lawless is able to fully tell these five tales in two brief pages each, and her love for the game itself comes through even as she skewers its less honorable moments.

You can read selected comics and find ordering information on Lawless's blog.

Sunday, 4 February 2007

Monkey Covers

Sunday is Monkey Covers day here at YACB. Because there's nothing better than a comic with a monkey on the cover.

On the cover of 1947's Tom-Tom, The Jungle Boy #1, Itchi the Monk pals around with his friends Tom-Tom and some unnamed elephant.

(Read more about this comic from Scott Shaw!)

Image courtesy of the GCD. Click on the image for a larger version.

Friday, 2 February 2007

Box of Manga from Japan

Yotsuba&! vol. 4We have a new 'source' at the library for manga from Japan, and we just got our first box in today.

What was in the box? I'm glad you asked:

A two volume Best of Blackjack by Tezuka.

Volumes 4 & 5 of Tezuka's Phoenix.

A volume of Tezuka's Mighty Atom.

The four latest volumes of Inu-Yasha.

And all six volumes of Yotsuba&!.

That's right, we have volumes 4-6 of Yotsuba&! Of course they're in Japanese so I can't read a lick, but even looking at the pictures it's still a lot of fun. In one story in volume 4, the gang goes fishing (with the expected results). ADV, please get to publishing the final four volumes!

The physical quality on all of the volumes is excellent, much better than the cheaply produced editions that most of our translated manga ends up being. (And all of the above came out to costing just under US$70!)

Wednesday, 31 January 2007

A Short List of Manga I'd Like To See Translated Into Engish

A note to any manga publishers: I'd most likely pay good money for any of the following series were they to be translated into English and made available:

  • Ge Ge Ge no Kitaro by Shigeru Mizuki (This is available in a bilingual Japanese/English edition, but only in Japan!)
  • Palepoli by Furuya Usamaru
  • Genju Jiten (Hungry Wolf Story) by Taniguchi Jiro
  • Yomi Henjou Yawa by Okano Reiko
  • Tengoku-Kyu (Crazy Heaven) by Takaya Miou
  • Ame Miya Yuki Kohri (Rain, Princess, Snow Ice) by Tsuno Yuko
  • Louise by Hiroki Mafuyu

Thanks!