Here are the comics we added to our library collection last week:
Akahori, Satoru. Sorcerer hunters /Los Angeles, Calif. : Tokyopop, c2000- vol. 1
Arkas. You bring out the animal in me!-- Grunt! : crazy combinations /Athens, Greece : Grammata, c2004.
Baumann, Suzanne. Beasts of ball point : a sketchbook mini /Hamtramck, MI : Suzanne Baumann, c2005.
Bieri, Sean. From the desk of business chimp /[United States?] : Sean Bieri, c2005.
Bieri, Sean. Jape. /Hamtramck, MI : Sean Bieri vol. 2 no. 1
Brown, Jeffrey (Jeffrey David), 1975- Every girl is the end of the world for me : December 26 2003 - January 15 2004 /Marietta, Ga. : Top Shelf, c2005.
Campbell, Eddie. The dance of lifey death /Paddington, Australia : Eddie Campbell Comics, c1998.
Cater, Donovan. Moore /Eastland, Muskegon, Mich. : Powernut Comics, c2002- vols. 1-2
Davis, Andrew. Heavenly friends /Greensville, SC : Wide Awake Publications, c2003.
Davis, Andrew. Young Billy Clockout : somewhere between Memphis and Hawaii /Greensville, SC : Wide Awake Publications, c2002.
Dondero, George M. DirtBoy /Napa, CA : Moronik Comiks, 2005- no. 1
Feazell, Matt. AntiSocialMan. /[Minneapolis, Minn.] : Not Available Comics, 1982- no. 6
Feazell, Matt. CuteGirl. /Detroit, MI : Not Available Comics, c1994- nos. 1-3
Feazell, Matt. The amazing Cynicalman. /Hamtramck, MI : Not Available Comics vol. 2 nos. 5-13
Golden-age science fiction treasury /Longwood, Fla., AC Comics, c2006- vol. 1
Hotwire comix. /Seattle, Wash. : Fantagraphics, c2006- vol. 1
Japan : as viewed by 17 creators /[Wisbech, England?] : Fanfare ; [Tarragona, Spain?], Ponent Mon, c2005.
Kalesniko, Mark. Alex /Seattle, WA : Fantagraphics, c2006.
Keret, Etgar, 1967- Pizzeria Kamikaze /Gainesville, Fla. : Alternative Comics, 2006, c2005.
Kurata, Hidevuki. R.O.D., Read or die /San Francisco, CA : Viz Media, 2006- vol. 1
Manjula Padmanabhan. This is Suki! /New Delhi : Duckfoot Press, 2000.
Micheluzzi, Attilio. Johnny Focus /Roma : Lizard Edizioni, c2004- vols. 1-3
Moore, Alan, 1953- The complete future shocks /Oxford : Rebellion, 2006.
Moore, John Blair. Invaders from home!!! /New York, N.Y. : Piranha Press, c1990- no. 1
Panel (Columbus, Ohio) Panel. /Colmbus, OH : Panel, c2003- nos. 1-2
Put the book back on the shelf : a Belle and Sebastian anthology /Berkeley, Calif. : Image Comics and Belle and Sebastian, c2006.
Robot : super color comic /Carson, CA : Digital Manga Pub., 2005- vol. 2
Tales from the Inner sanctum : a horror anthology /[Los Angeles?] : Steveniles.com, c2004.
Thompson, Albert Benjamin. Husk /[United States?] : Lucky Cobra Pub., c2005.
Van Loon, Borin. The Bart Dickon omnibus : including, in its entirety, "a servered head", a graphic novella ; /Ipswich : Severed Head Books, 2005.
Weinstein, Lauren R. Girl stories /New York : Henry Holt, c2006.
Wide awake 666 : a horror anthology. /Greenville, SC : Wide Awake Press, c2006.
Monday, 23 October 2006
Sunday, 22 October 2006
Monkey Covers

King Solomon leads the charge on Art Adams' cover to Tom Strong's Terrific Tales #5!
(Standard disclaimer about intelligent talking gorillas not really being monkeys applies.)
Image courtesy of the GCD. Click on the image for a larger version.
Saturday, 21 October 2006
Ms. Dewey
Ms. Dewey, a front-end to Microsoft's Live Search, is a search engine with attitude. Your searches are 'hosted' by Ms. Dewey herself, an attractive librarian who not only serves up your results but also make comments while she does so. There are plenty of little easter eggs to be found depending on what you search for; try searching for 'comic blogs' or 'comic books' and see what she says...
Friday, 20 October 2006
Diamond and the Long Tail 2
Over a year ago I wrote a blog post about Diamond and the Long Tail. This past Monday Chris Anderson was on campus and gave an interesting presentation about the Long Tail, which got me thinking about it again.
In particular, I decided to take a look at actual sales numbers from Diamond to see if any Long Tail lessons can be learned.
Anderson argues that--absent any market barriers--the natural shape of markets is to follow a power law. This can be visualized by graphing sales rank against number of units sold; on a log-log scale, the graph will be a straight line. Barriers and inefficiencies will cause the tail of the line to bend downward, and the area between the ideal straight line and the downward curve represent lost sales. Typically said graph will resemble a straight line at the top, but at some point it will deviate from the line; this represents an inflection point, and is a point where an analyst can look to see what the problem is and identify solutions.
For example, here's Anderson's graph (taken from here) of US Box Office Gross vs. Film Rank for 2003-2005:

You can see the inflection point at around 350; it turns out that the carrying capacity of US megaplex theaters is a little more than 100/year, and thus over three years they show approx. 350 movies (out of the approx. 13,000 movies that were show in film festivals over the same period).
Anderson surely explains this better in his book, but I think you get the jist here.
So I decided to do a little graphic of my own. I took the Diamond sales figures for August 2006 and graphed them out (click on the graphs to view them at a readable size):
Here's the raw graph:

Here it is as a log-log graph:

And here it is with an idealized market line imposed:

It's not surprising to see that the graph looks like many other markets. What is surprising to me is how soon the inflection point hits: right around rank #45. Looking at the raw data, it appears to be right between #45 (Sensational Spider-Man 29: 55,300) and #46 (Green Lantern Corps 3: 51,400). Put another way, that's right at about the mid-list for Marvel, just after the top books for DC, and above any other publisher.
Putting some names to the numbers: Comics like Y, the Last Man (91: 25,800), Fables (92: 25,300) & Runaways (93: 25,000) could probably be selling another 15-20,000 copies every month. Way down at the end of the tail, books like Gold Digger, Rocketo, & Action Philosophers which are selling 2,100 copies could be selling around the 20,000 range.
This represents quite an unserved market for Diamond. Of course the next question is where is that unserved market going? I suspect there are several places:
* Other distributors (for non-exclusives)
* Newsstand sales (things like Cartoon Block Party & Archie Dougle Digest)
* Trade collections (readers who don't get a comic monthly through Diamond wait for the trade, either at their local store or at a book store or through Amazon)
* Unserved at all (people who would enjoy the comics but don't know about or can't find them)
All of these of course are the concern of Diamond. The last should be a concern to all publishers.
The follow-up question after this is why is the inflection point occuring, and how can it be eliminated? I don't have a good answer yet, but I suspect it has something to do with either the promotional outlay, the 'rack space' for new comics in a typical store, or some combination of the two.
Any other thoughts?
In particular, I decided to take a look at actual sales numbers from Diamond to see if any Long Tail lessons can be learned.
Anderson argues that--absent any market barriers--the natural shape of markets is to follow a power law. This can be visualized by graphing sales rank against number of units sold; on a log-log scale, the graph will be a straight line. Barriers and inefficiencies will cause the tail of the line to bend downward, and the area between the ideal straight line and the downward curve represent lost sales. Typically said graph will resemble a straight line at the top, but at some point it will deviate from the line; this represents an inflection point, and is a point where an analyst can look to see what the problem is and identify solutions.
For example, here's Anderson's graph (taken from here) of US Box Office Gross vs. Film Rank for 2003-2005:

You can see the inflection point at around 350; it turns out that the carrying capacity of US megaplex theaters is a little more than 100/year, and thus over three years they show approx. 350 movies (out of the approx. 13,000 movies that were show in film festivals over the same period).
Anderson surely explains this better in his book, but I think you get the jist here.
So I decided to do a little graphic of my own. I took the Diamond sales figures for August 2006 and graphed them out (click on the graphs to view them at a readable size):
Here's the raw graph:

Here it is as a log-log graph:

And here it is with an idealized market line imposed:

It's not surprising to see that the graph looks like many other markets. What is surprising to me is how soon the inflection point hits: right around rank #45. Looking at the raw data, it appears to be right between #45 (Sensational Spider-Man 29: 55,300) and #46 (Green Lantern Corps 3: 51,400). Put another way, that's right at about the mid-list for Marvel, just after the top books for DC, and above any other publisher.
Putting some names to the numbers: Comics like Y, the Last Man (91: 25,800), Fables (92: 25,300) & Runaways (93: 25,000) could probably be selling another 15-20,000 copies every month. Way down at the end of the tail, books like Gold Digger, Rocketo, & Action Philosophers which are selling 2,100 copies could be selling around the 20,000 range.
This represents quite an unserved market for Diamond. Of course the next question is where is that unserved market going? I suspect there are several places:
* Other distributors (for non-exclusives)
* Newsstand sales (things like Cartoon Block Party & Archie Dougle Digest)
* Trade collections (readers who don't get a comic monthly through Diamond wait for the trade, either at their local store or at a book store or through Amazon)
* Unserved at all (people who would enjoy the comics but don't know about or can't find them)
All of these of course are the concern of Diamond. The last should be a concern to all publishers.
The follow-up question after this is why is the inflection point occuring, and how can it be eliminated? I don't have a good answer yet, but I suspect it has something to do with either the promotional outlay, the 'rack space' for new comics in a typical store, or some combination of the two.
Any other thoughts?
Thursday, 19 October 2006
Cheesecake/Beefcake Appreciation Week
Kalinara & Ragnell have arbitrarily declared this to be Cheesecake/Beefcake Appreciation Week. So here are my contributions:
First for the Beefcake, here's Brett Booth's cover for the upcoming Anita Blake, Vampire Hunter; Guilty Pleasures #2, showing that Booth and Dabel Bros. know exactly what the appeal of Laurell K. Hamilton's vampire series is:

For the Cheesecake, here's Frank Cho's cover to Liberty Meadows #12:
First for the Beefcake, here's Brett Booth's cover for the upcoming Anita Blake, Vampire Hunter; Guilty Pleasures #2, showing that Booth and Dabel Bros. know exactly what the appeal of Laurell K. Hamilton's vampire series is:

For the Cheesecake, here's Frank Cho's cover to Liberty Meadows #12:

Wednesday, 18 October 2006
Dave's Dozen: Collections/GNs
Concluding my look through the October Previews (for items supposedly shipping in December or January or later), here are a dozen collections and graphic novels that I feel are worth your attention:
Alice in Sunderland
(Dark Horse, $29.95, p. 27)
Even after reading the solicitation copy I have no idea what this is actually about. But any new work from Bryan Talbot (Luther Arkwright; Tale of One Bad Rat) is cause for celebration.
The World Below
(Dark Horse, $12.95, p. 30)
Raise you hand if you like weird & creepy monsters! Paul Chadwick's underrated underground adventure story gets a long-awaited collection.
Gunsmith Cats Omnibus vol. 1
(Dark Horse, $16.95, p. 40)
Kenichi Sonoda shows that you can do a manga with plenty of violence and fanservice and still have a story that's, well, good. And now you can get it in a big thick omnibus edition at a fraction of the cost that those of us who bought the original collections did.
Batman: Year One Hundred
(DC, $19.99, p. 63)
I heard plenty of excelent things about Paul Pope's take on the Batman of 2039, but didn't buy it because I just knew there would be a trade. Now there is.
Doom Patrol vol. 5: Magic Bus
(DC, $19.99, p. 117)
Another collection of the classic Morrison series, with plenty of Dada--the Brotherhood of Dada that is!
Action Philosophers! Giant-Sized Thing Volume 2
(Evil Twin, $8.95, p. 278)
If you missed picking up issues #4-6 the first time around, now's your chance to laugh and learn about Karl Marx, St. Thomas Aquinas, Machiavelli, Descartes, and the rest.
The Grave Robber's Daughter
(Fantagraphics, $9.95, p. 278)
Richard Sala returns with a new GN story of Judy Drood, Girl Detective. More dark funny from Sala.
Jane's World Omnibus volume 1
(Girl Twirl, $19.95, p. 284)
It's a massive 400+ page compilation of Paige Braddock's lesbian slice-of-life comic; that is, if your life includes alien abductions, vegan Amazons, and super spies!
Town of Evening Calm, Country of Cherry Blossoms
(Last Gasp, $9.99, p. 300)
Fumiyo Kouno's manga about a young woman in Hiroshima ca. 1955.
The Treasury of Victorian Murder volume 8: Madeleine Smith
(NBM, $8.95, p. 308)
The latest in Rick Geary's line of darkly whimsical recountings of 19th century murders.
My Dead Girlfriend, vol. 1
(TokyoPop, $9.99, p. 322)
It's a story as old as time: awkward boy meets cute girl, finally asks her to the dance, and they fall in love. Problem: the girl's a ghost! Should be a fun OEL manga from Eric Wright.
Roadsong, vol. 2
(TokyoPop, $9.99, p. 330)
The second volume of Allan Gross & Joanna Estep's OEL title promises to bring the two on-the-lam stepbrothers to Nashville for a little country twang to go along with the comedy/action hybrid.
Hey look, this month I actually managed to get all the way through Dave's Dozen before the end of the month! (Earlier in the week I posed my picks for mainstream comics and indy comics.)

(Dark Horse, $29.95, p. 27)
Even after reading the solicitation copy I have no idea what this is actually about. But any new work from Bryan Talbot (Luther Arkwright; Tale of One Bad Rat) is cause for celebration.

(Dark Horse, $12.95, p. 30)
Raise you hand if you like weird & creepy monsters! Paul Chadwick's underrated underground adventure story gets a long-awaited collection.

(Dark Horse, $16.95, p. 40)
Kenichi Sonoda shows that you can do a manga with plenty of violence and fanservice and still have a story that's, well, good. And now you can get it in a big thick omnibus edition at a fraction of the cost that those of us who bought the original collections did.

(DC, $19.99, p. 63)
I heard plenty of excelent things about Paul Pope's take on the Batman of 2039, but didn't buy it because I just knew there would be a trade. Now there is.

(DC, $19.99, p. 117)
Another collection of the classic Morrison series, with plenty of Dada--the Brotherhood of Dada that is!

(Evil Twin, $8.95, p. 278)
If you missed picking up issues #4-6 the first time around, now's your chance to laugh and learn about Karl Marx, St. Thomas Aquinas, Machiavelli, Descartes, and the rest.

(Fantagraphics, $9.95, p. 278)
Richard Sala returns with a new GN story of Judy Drood, Girl Detective. More dark funny from Sala.

(Girl Twirl, $19.95, p. 284)
It's a massive 400+ page compilation of Paige Braddock's lesbian slice-of-life comic; that is, if your life includes alien abductions, vegan Amazons, and super spies!

(Last Gasp, $9.99, p. 300)
Fumiyo Kouno's manga about a young woman in Hiroshima ca. 1955.

(NBM, $8.95, p. 308)
The latest in Rick Geary's line of darkly whimsical recountings of 19th century murders.

(TokyoPop, $9.99, p. 322)
It's a story as old as time: awkward boy meets cute girl, finally asks her to the dance, and they fall in love. Problem: the girl's a ghost! Should be a fun OEL manga from Eric Wright.

(TokyoPop, $9.99, p. 330)
The second volume of Allan Gross & Joanna Estep's OEL title promises to bring the two on-the-lam stepbrothers to Nashville for a little country twang to go along with the comedy/action hybrid.
Hey look, this month I actually managed to get all the way through Dave's Dozen before the end of the month! (Earlier in the week I posed my picks for mainstream comics and indy comics.)
Labels:
dark horse,
dc,
graphic novels,
manga,
previews,
tokyopop
Star Drop

I recently discovered that Oakley has a new (well, new-ish) Webcomic called Star Drop, now up to sixteen installments. It's a scifi story about Achelle, a intergalactic princess who runs away to modern-day Earth, and it's a lot of fun. The first few episodes get all meta as Oakley tries to figure out what the strip is about and his characters complain, but around about episode six the story settles in and it's a lot of fun.
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